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欧曼在谈到《胭脂路》获得《芳草》第五届汉语文学女评委奖最佳叙事奖时,比较自信地说:“我猜测这十位著名的女性批评家可能是看重这部小说人物塑造上的成功与大气”。《小相山》(载《人民文学》2017年第5期)几个人物形象的鲜明性,是表现在他们身上的霸气。霸气侧漏了,人物形象就成功了。当然,欧曼一直重视她笔底人物所挟带的气场。比如,她坚信武汉女人身上有与生俱来的江湖气。《小相山》的环境描写是大音稀声、大象无形的那种,
Auman talked about “rouge Road,” won the “Grass” fifth Chinese Women’s Literature Award for Best Narrative Award, said with more confidence: “I guess the ten famous female critics may value this The success and atmosphere of character creation in novels ”. “Small mountain” (contained “People’s Literature” 2017 the fifth period) The distinct character of several figures, is manifested in their domineering. Domineering side leakage, the character image on the success. Of course, Auman has always attached importance to the gas field carried by her characters. For example, she strongly believes that Wuhan women have innate rivers and lakes. “Small mountain” environmental description is the big sound, the kind of invisible elephants,