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如果我们去掉其中暗含的西方中心主义视角,世界音乐指的应该是在更广阔的语境中呈现的各种传统音乐。当日惹舞蹈团离开了爪哇岛,岫岩皮影戏班走出了他们的村庄,共同来到后山的舞台上的时候,他们就都成了世界音乐。2013年10月到11月,坐落在北京当代MOMA园区的后山艺术空间成了一个世界音乐市集。在这里举行的MOMA后山音乐艺术节吸引着人们从城市的各个角落赶来,欣赏平时难得一见的演出。从中国乡间的皮影戏班到匈牙利的吉普赛乐队,从日本尺八大师仓桥容堂到融合呼麦与摇滚乐的图瓦乐队亚塔(Yat-Kha),从八十高龄的印度游吟诗人普尔纳·达斯·宝乌尔(Purna Das Baul)到有着伊朗鼓王之称的穆罕默德·瑞萨·莫塔萨维(Mohammad
If we remove the implicit Western-centrism perspective, world music should refer to all kinds of traditional music presented in a broader context. When the Jogjakarta dance team left Java Island and the Xiuyan Shadow Theater went out of their village, they all became world music when they came together on the stage behind the mountain. From October to November 2013, the Back Mountain Art Space, located in the contemporary MOMA Park in Beijing, became a world music market. The MOMA Back Mountain Music Festival held here attracts people from all corners of the city to enjoy the usual rare performances. From shadow play classes in rural China to Hungarian gypsy bands ranging from Japanese footballer Masaharu Yasuharu Yasuhiro to Tuva band Yat-Kha, from 80-year-old Indian troubadour Purnar · Purna Das Baul to Mohammad, who is known as the Drum King of Iran