《乐记》是我国第一部较为系统的音乐美学理论著作,它主要记载了我国先秦儒家的音乐美学思想,同时在汉代成书时又渗入了道家、法家等的思想。《乐记》虽然含有深刻而丰富的美学思想,但并没有明确而完备的审美理论体系,或者说,它的审美理论体系并不是现成的而是潜在的,它需要我们进行总结与归纳,并以西方美学为参照标进行建构。我们发 “Yue Ji” is the first systematic book on musical aesthetics in our country. It mainly records the music aesthetics thought of pre-Qin Confucianism in our country. At the same time, it also infiltrates the thoughts of Taoism and Legalists in the Han Dynasty. Although it contains profound and rich aesthetic thoughts, “Yue Ji” does not have a clear and complete aesthetic theoretical system or that its aesthetic theoretical system is not ready but potential. It requires us to summarize and summarize, Western aesthetics as the reference standard for construction. We send