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肇事于20世纪60年代的结构主义叙事学忽视文学文本的审美因素与社会历史因素,割裂了文本与世界的联系。80年之后的新叙事学把研究对象由文本内部扩展到外部,注重社会历史、文化审美和意识形态的研究,从而使形式主义研究的叙事学具有了意识形态倾向。这种倾向在女性主义叙事学和后现代历史叙事学领域有突出的表现,前者是一种显在的意识形态,后者的意识形态倾向是隐含性的。
The structuralist narratologies that hit the ground in the 1960s neglected the aesthetic and social-historical elements of literary texts and severed the connection between the texts and the world. After 80 years, the new narratology expands the research object from the inside to the outside of the text, pays attention to the study of social history, cultural aesthetics and ideology, so that the narratology of formalism research has the tendency of ideology. This tendency has shown prominently in the fields of feminist narratology and postmodern historical narratology. The former is an obvious ideology, while the latter has an ideological tendency that is implicit.