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柔与坚,乾与坤,阴与阳,两极相斥相合。正是柔与坚构成了沈柔坚人生和艺术的两极,相斥而又相合,浸透了他的追求与理想,也可以说是他的艺术风格的体现。1962年,沈柔坚出版了他的旅欧写生集,在当时的画坛引起了议论。他那大胆泼辣带有表现主义色彩和中国绘画韵味的线条,使作品具有了清新、洒脱、不拘一格的个性色彩。50年代,是绘画讲究一点笔情墨趣就会被
Soft and firm, dry and Kun, Yin and Yang, the two poles match each other. It is the combination of softness and fortitude that makes Shenrongjian’s life and art both repulsive and coherent, soaking in his pursuit and ideals, it can also be said that his artistic style is embodied. In 1962, Shen soft Ken published his set of European sketches, at the time of the painting scene aroused discussion. His daring and expressive lines with the charm of expressionism and Chinese painting make his works have a fresh, free and easy, eclectic personality. In the 1950s, painting was a bit of a penny of ink