我在写生时直接面对自然,沉浸于心灵和自然的交融,没有过多的念头,没有室内创作的僵持和理性,抒发最本质的情感。各具特色的地域风光、人文历史使我不自觉中采用不同的表达方式,冥冥中试图寻找出自己内在的情感语言和个人图式,表现出我所理解的地域自然特征和人文精神,从而将自然景物转化为带有我个人生命痕迹的富于新生命的画面。 When I was painting, I was in the face of nature, immersed in the blend of soul and nature, without excessive thoughts, without stalemate and reason in interior creation, and expressing the most essential feelings. With its distinctive geographical scenery and cultural history, I unconsciously adopted different ways of expression. I tried to find out my own internal emotional language and personal schema, showing the geographical natural features and humanistic spirit that I understand. Turn natural scenery into a new-life picture with traces of my life.