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作为“烟霞之侣”的山水画,是画家“师法造化”融合“实象”和“心象”倾注感情的艺术结晶,可谓是对自然本体和神韵的一种探索。作者在画面上表现了春秋荣落,山容水色、四时变迁。“设奇巧之体势,写山水之纵横”情趣各异的景象,在使观者获得审美满足的同时,体现着大自然鼓舞我们前进的力量,这也许正是中国山水画长盛不衰的原因吧! 我自五十年代就在上海戏剧学院舞美系从事山水画教学工作。那时,贺天健、谢稚柳先生先后在校任兼职教授, 我有幸跟班当过他们的助教,和同学一起向两位著名画家学习,得益匪浅。
As a landscape painting of “haze couple”, it is an artistic crystallization of the painter “making Buddhism and creating Buddhism” by integrating “real image” with “heart image”. It is an exploration of natural noumenon and charm. The performance of the artist in the spring and autumn glory, mountain water color, four changes. It is perhaps the reason why the Chinese landscape painting is so prolific that the spectacle of different tastes, which sets the landscape of landscapes and mountains, Since I was in the 1950s I was engaged in the teaching of landscape painting at the Department of Dance and Beauty of Shanghai Theater Academy. At that time, Mr. He Tianjian and Mr. Xie Zhiliu served successively as part-time professors in the university. I was fortunate to have worked as an assistant with my class and learned from two famous painters together with my classmates.