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本文通过对印度音乐史上承前启后的音乐家——毗湿奴·纳拉彦·帕特坎德(Vishnu Narayan Bhatkhand)进行展开式研究,综合阐述分析其生平及贡献,并引发对中国民族音乐传承的思考。毗湿奴·纳拉彦·帕特坎德作为印度斯坦音乐发展史上具有代表性的音乐理论家,他一方面将印度音乐极具实践性特征归纳、整理、升华到理论层面,为印度斯坦古典音乐的发展奠定了坚实的基础;另一方面将几千年来口传音乐的教学方式以符号记录下来。同时,通过音乐采风、访谈音乐学者等形式,完成了关于印度斯坦音乐的理论著述,多次召开全印度音乐研讨会。作为印度斯坦音乐发展史上具有代表性的音乐教育家,他借助社会的力量建立音乐学院,并且成功建构学校教育中独具印度特色的音乐教学方式,成为学校音乐教育方面的中坚力量。通过对印度斯坦音乐历史演进中音乐传承的研究给予中国音乐传承方面积极的借鉴。
This article explores the life and contribution of Indian music historian Vishnu Narayan Bhatkhand through its predecessor musician Vishnu Narayan Bhatkhand and initiates the study on the inheritance of Chinese folk music Thinking. As a representative music theorist in the history of Hindustan music development, Vishnu Nalayan Patkandan inducted, arranged and sublimated the very practical characteristics of Indian music to the theoretical level, The development of music has laid a solid foundation; on the other hand, the teaching of oral music has been symbolized for thousands of years. At the same time, through the collection of music, interviews with music scholars and other forms, completed the theoretical writings on Hindustani music, many held all-India music seminar. As a representative music educator in the history of Hindustan music, he used the power of society to establish a conservatory of music and successfully constructed a unique Indian music teaching method in school education. He became the backbone of school music education. Through the study of musical heritage in the evolution of Hindustan music history, it gives a positive reference to the inheritance of Chinese music.