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蒙太奇,源于建筑学的Montage,后来成了电影理论的基石。它是电影的重要表现方法之一,即为表现影片的主题思想,把许多镜头组织起来,使之构成一部前后连贯、首尾完整的电影片。它的具体表现是镜头的跳跃与画面的切换,即画面的平行展现、场面的交替组接等形式。
Montage, which originated from architecture, later became the cornerstone of film theory. It is one of the important expressions of the film. It is to express the theme of the film and organize many shots to make it a coherent and complete film. Its concrete manifestation is the jump of the lens and the switching of the screen, that is, the parallel display of the screen and the alternate grouping of the scenes.