论文部分内容阅读
作为一名采茶戏演员,从艺二十七年,在万安县采茶剧团这个艺术平台上摸爬滚打,和山区村民吃在一处、唱和一处、欢乐一处,天长日久,对他们有一种难以割舍的乡土情怀。在下乡巡演的过程中,为他们的笑声所激励;为他们的愤怒而动容;为他们的忧伤而难过。正是这种乡土情怀引发让我对他们观戏的思考;尤其进入新世纪以来,他们爱看什么样的戏?他们的观戏特点与自身的文化传承有什么共同之处?在社会主义市场经济的变
As a tea-picking opera performer, she has been playing with the tea-picking troupe in Wanan County for twenty-seven years and has had the pleasure of singing, singing, and enjoying one place with villagers in the mountainous areas. Difficult to break the native feelings. Inspired by their laughter while touring the countryside; moving for their anger; sad for their sadness. It is this native sentiment that leads me to think about their view of the opera. What joys and sorrows have they seen since entering the new century in particular? What are their characteristics of viewing and their own cultural heritage in common? In the socialist market Economic change