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近代新兴的图案思想,随着西学东渐的时潮引进本土,并将图案思想与发展工艺以富国的精神相联系。通过本土艺术先驱的宣传和实践,图案思想已成为新美术教育的一部分,并逐渐形成中国现代工艺美术的风潮。在中国早期艺术期刊的装帧实践中,表现性图案的运用,不同程度地体现了图案的民族性语境。其历史文化资源的丰富积淀,为表现性图案的运用和创造,提供了丰富的构思和表达的空间。
Emerging patterns of modern ideas, with the gradual introduction of Western learning the tide of time, and the pattern of thinking and development process linked to the spirit of the rich. Through the propaganda and practice of pioneers of local art, the idea of pattern has become part of the new art education and has gradually formed a wave of modern Chinese arts and crafts. In the practice of early Chinese art periodicals, the use of performance patterns embodies, to varying degrees, the national context of patterns. The rich accumulation of historical and cultural resources, for the use of performance patterns and create, provides a wealth of ideas and expression of space.