论文部分内容阅读
诙谐的怪异图案遇上超写实主义的阿拉伯式藤蔓花饰;当传统书籍中那限于页边装饰的图案叠加上抽象的纹身样徽章;当二十六个字母缠绕上欧洲古典的扭曲旋转纹样……这些不断出现在当今平面设计作品中,绚丽而神秘的画面无不在向世人述说着一种新设计风格的到来。古典而传统的图案不再被人们遗忘在古老的器皿、书籍或建筑中,而是被设计师们重新拾起,与一切具有当代体验的图形精妙地编织在一起,汇聚成一个万花筒式的自由流动的结合体。这种平面设计风格的出现超越了绘画的客观概念,重构了图案的美感和精神性,是一种技术结合想象的新视觉体验。它不仅打破了传统平面设计风格发展的惯有方式,也在向人们预示着一个新的图案时代的来临。
Witty weird patterns met the super realism of the Arab vine floral ornament; when the traditional books that limited to the decorative patterns superimposed on the abstract tattoo-like badge; when the twenty-six letters wrapped around the European classical twist rotation pattern ... These are constantly emerging in today’s graphic design works, gorgeous and mysterious screen are all about the world to say a new design style. Instead of being forgotten in ancient vessels, books or buildings, classical and traditional motifs are picked up again by designers and delicately weaved into a kaleidoscope of freedom with all contemporary graphics Flow combination. The appearance of this graphic design style goes beyond the objective concept of painting and reconstructs the beauty and spirituality of the design. It is a new visual experience of technology combined with imagination. It not only breaks the traditional way of developing the traditional graphic design style, but also indicates to people the advent of a new pattern era.