秦腔（还有真它各种不同的中国剧种）是个综合的艺术体，单就戏词来讲，它是近乎诗词歌赋的一种优美的文字，所以凡是秦腔戏曲的编者（亦即作者），都是些文学素养很精邃的大师级的人士。不过，虽然是大师级的手笔，真作品也可能有所疏露处，就笔者所知，也许真是作者的流露， Qin chamber (and its various Chinese operas really) is an integrated body of art. In terms of play, it is a beautiful piece of poetry that is almost poetic. Therefore, all the editors (that is, the authors) , Are some great literary master level people. However, although it is a masterstroke, true works may also be scared, as far as I know, perhaps the author’s disclosure,