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当代汉语文学中关于西藏的书写蔚为大观,然而其中所呈现的西藏形象却面目各异,其中所折射的集体心理结构颇可探讨。然而长期以来关于西藏书写之研究却相对匮乏,仅有的研究也往往以西方后殖民理论为框架,止步于简单的中心/边缘论述。本文选择最具代表性的作家作品,从文本出发,揭示在中心/边缘的表层架构之下,其实西藏书写的真正命题或者在于一个古老和相对封闭的民族,如何进入现代。
Contemporary Chinese literature on Tibet’s writing is a grand occasion, but the Tibetan image presented in it varies in appearance, of which the collective mental structure refracted can be explored. However, the study on Tibetan writing has been relatively scarce for a long time, and the only studies often focus on the post-colonial theory of the West and stop at the simple center / periphery argument. This article chooses the most representative works of writers, starting from the text, revealing under the superficial structure of the center / periphery, the true proposition of Tibetan writing actually lies in how an ancient and relatively closed nation entered modern times.