从青年藏家背后,我们隐约看到了整个社会时代的变迁。自改革开放以来,社会经济的迅速发展带动的必然是文化产业,同时人们对待文化、艺术的观念和态度也在发生潜移默化的改变:艺术的高高在上应体现在形而上的精神层面,却不应该被束之高阁在美术馆和画廊。在二十多年前,很多普通人连对艺术品的概念都没有,更别说去收藏;而二十年后的今天,当那些“80后”甚至“90后”的青年人纷纷进入社会,当自己的实力上升到某个层面,他们便把对艺术的热爱变为实际的行动,而他们中的一些佼佼者,更是凭借一己之力推动着当代艺术的发展。 Behind the young collectors, we vaguely saw the changes in the entire social era. Since the reform and opening up, the rapid development of social economy has inevitably led to the development of cultural industries. At the same time, people are also changing their attitudes and attitudes toward culture and art. The height of art should be reflected in the metaphysical spirit but should not be put away. In art galleries and galleries. Twenty years ago, many ordinary people did not even have the concept of artwork, let alone collect them; and two decades later, when those who were “80” or even “90” As one enters the community in succession, when one’s own strength rises to a certain level, they turn their love of art into practical actions. Some of them are even more capable of pushing the development of contemporary art with their own power.