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在整个舞蹈编创的过程中,技法的学习虽然是一个必备的过程,但不应出现就技法而技法的创作,只有合理的运用技法并对其作出作出合理的取舍,才能够更好的去完成舞蹈作品的编创。单纯的技法学习与运用只是舞蹈编创的初级阶段,它使我们能够轻松的认知编创技法的概念,拥有一定的动作形象思维,并能够有法可依、有章可循的运用于舞蹈作品的编创中。而“出得”——技法之外的飞跃,它是可以对技法进行合理的取舍,对“出得”与“入得”进行合理的融合的,它是取舍的中级阶段,是舞蹈作品形成的关键。技法取舍的高级阶段——无“法”之境,它是编创者对技法的完美取舍,是需要编创者不断的吸取“出得”和“入得”的实践经验与思考总结而得到的。因此,在舞蹈编创的过程中,技法的取舍会直接影响到舞蹈作品最终形成的质量,只有对技法作出合理的取舍,我们才能够编创出更多更优秀的舞蹈作品。
Throughout the process of creating choreography, learning of techniques is an essential process. However, the creation of techniques and techniques should not occur. Only reasonable use of techniques and making reasonable choices can be better Complete the creation of dance works. Mere learning and use of skills is just the initial stage of the creation of dance, it allows us to easily recognize the concept of compilation techniques, have a certain action image thinking, and can be law-based, chapter-by-chapter applied to the work of the dance In creating. It is a reasonable choice of techniques and a reasonable fusion of “出 得 ” and “入 得 ”, which is the intermediate level of trade-off Stage, is the key to the formation of dance works. The high-level stage of the trade-off - no “law ” territory, it is the perfect creator of the trade-offs, is the need for creators continue to learn from the “” and “into ” practical experience and Think of the summary and get. Therefore, in the process of creating a dance, the choice of technique will directly affect the quality of the final formation of the dance work. Only by making a reasonable choice of techniques will we be able to create more and better dance works.