现在越来越佩服香港电影偷工减料的水平。就说《长恨歌》吧,它就有这个能耐,愣是在整部影片中,视而不见故事的发生地的外景风光,而是整个把人物放在一个布景单调的室内环境中,马马虎虎地凑成了一部电影。甚至里面的较大的舞厅场景,还是向电视剧《一江春水向东流》剧组借用的… Now more and more admire the level of Hong Kong movie cut corners. Say it “Everlasting Regret,” it has this ability, stunned in the whole movie, but can not see the story of the location of the scenery, but the whole figure in a monotonous set of indoor environment, so-so to make up a movie. Even inside the larger ballroom scene, or to the TV series “a river spring eastward” borrowed from the crew ...