我们把陈侗看作是一个依靠不同的传播媒介进行文化行动的人——涉及翻译出版、文学写作、创作国画和管理艺术机构,既发生在社会现场,但又往往被话语收缩归纳为机构实践。如果将这些已成为阶段性节点的工作,视为一个媒介,或许可以反照出陈侗从个人和地域为核心长出的文化叙事,以及同样在广泛利用媒介网络开展工作的实践者。这些人看起来像是遍布在大洋上寂静的火山岛,但其实并没有那么孤立,行动的潜力往往就是在网络连通的作用下被激发的。 We regard Chen Tong as a person who relies on different media to carry out cultural actions - involving translation and publication, literary writing, the creation of traditional Chinese paintings and the management of artistic institutions, both at the scene of the society and often attributed to institutional practice by discourse shrinking . If we treat these already staged nodes as a medium, we may be able to mirror Chen Tong’s cultural narratives that grew out of individuals and geographies, as well as practitioners who also work extensively on media networks. These people seem like volcanic islands all over the ocean, but in fact, not so isolated, the potential of action is often inspired by the network connectivity.