公式化是文艺创作的死敌,而这个死敌十分顽固。仅以戏剧创作而论,“四害”横行时千人一面的“三突出式英雄”和“队长犯错误,书记来指路,敌人揪出来,演出就结束”的结构公式,曾把持剧坛多年。粉碎“四人帮”后的一段时间里,又出现了类型化的“反四人帮英雄”和“帮派骨干跳,书记早知道,群众一发动,胜利就来到”的“标准结构”眼下,反映改革的作品渐多,所谓“改革型”、“开拓型”的“标准人物形象”又在舞台上、屏幕上 Formulation is the deathmatch of literary and artistic creation, and this rival is very stubborn. Only in terms of drama creation, the “Three Outstanding Heroes” with thousands of people who run amok across the “four pests” and the structural formulas of “the captain makes mistakes, the secretary leads the way, the enemy pull them out and the performance ends” for many years. Some time after the “Gang of Four” was smashed, the “standard structure” of the “anti-Gang of Four” typed and the “standard structure” of “the gang’s backbone jump, secretary knew early, the masses started and the victory came” Increasing number of works, the so-called “reform”, “pioneering” “standard character image” and on the stage, the screen