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中国画和西方风景画一直被视为人类艺术领域中两颗灿烂的宝石,延续到今天。中国、西方艺术家们对于大自然中山水、风景都有不同的看法,源于他们不同的价值观及世界观,中西方两种完全不一样的文化体系孕育了不同的绘画技法。中国画的写生方式与西画的写生方式存在很多差异,主要体现在观察方法、表现手段、审美需求以及哲学和美学的思想基础上。中国画的写生教学要以中国传统的美学思想为理论依据,才能确保中国画的民族特色。中国画形式语言着手分析中国绘画,对于学者来说是必不可少的研究方法。中国画形式语言是建立在笔墨基础之上的艺术表达方式。而笔墨是中国画的精神,从笔墨着手研究中国绘画,不仅从技术层面分析中国画独有的线条语言,更是能从笔墨中分析出画者的精神状态。
Chinese and Western landscapes have long been regarded as two splendid gems in the field of human art and continue into today. Chinese and Western artists have different views on landscapes and landscapes in nature. They come from their different values and world outlooks. Two completely different cultural systems in China and the West have given birth to different painting techniques. There are many differences between Chinese painting sketching and western painting sketching, mainly on the basis of observation methods, means of expression, aesthetic needs and philosophy and aesthetics. Chinese painting sketch teaching should take the traditional Chinese aesthetic thought as the theoretical basis to ensure the national characteristics of Chinese painting. It is an indispensable research method for scholars to begin to analyze Chinese painting in the formal language of Chinese painting. Chinese form of formal language is based on the pen and ink on the basis of artistic expression. The brush and ink is the spirit of Chinese painting. Starting from the study of Chinese painting, it not only analyzes the unique line language of Chinese painting from a technical perspective, but also analyzes the artist’s mental state from the brush and ink.