赏读魏绪珊先生的盆景作品(见《中国花卉盆景》2002年第4期),最突出的感受:构图简炼;力度与动感揉合;化合众长而自出机杼。魏先生的盆景,笔精墨妙,简约洗炼,取舍大胆而又巧妙,决不拖泥带水,纷繁芜杂。《俏红梅》、《云行流水》、《舞》等作品,枝短叶疏;所占空间极小,中国当代盆艺家中,有如此删繁就简,以少胜多之纯熟功力如魏先生者少矣!魏先生的盆景劲挺遒拔,力度逼人,一反当前不少盆景作品四平八稳、匠气十足、缺少个性之常态,令人耳目一新,心情激奋。《流云》、《朝气》、《云行流水》等作品,瘦劲奇拙,风骨凛然。树型呈不规则S型,变化之中富于动感,打破了构 Read Mr. Wei Xushan’s bonsai works (see “Chinese flower bonsai” 2002 the fourth period), the most prominent feelings: composition of concise; strength and dynamic blend; Mr. Wei’s bonsai, pen refined, concise wash, the choice of bold and clever, never dragons, complicated. There are such works as Qiao Hong Mei, Yun Xing Liu Shui Shui, and Wu Dan with short branches and sparse branches. The space occupied is extremely small. Among Chinese contemporary potters, Less! Wei’s bonsai sturdily, pull the intensity of an opponent, a lot of current bonsai works calm, jagged, lack of personality of the normal, refreshing, exciting. “Clouds”, “vitality”, “clouds of water” and other works, thin and clumsy, awe-inspiring style. The tree is irregular S-shaped, full of changes in the dynamic, breaking the structure