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文章分别以样板戏与主旋律影片为例 ,对于文革期间的官方文化与改革开放以后的官方文化 (特别是 2 0世纪90年代的官方文化 )进行了比较分析。文章运用社会理论与文化研究的立场与方法 ,指出了主旋律电影作为 2 0世纪90年代官方文化的代表 ,出现了与大众 -市民文化的互动、妥协与相互渗透的趋势以及由此带来的五个特征 :正面人物的平民化、高调主题的低调处理、从特殊道德向普遍道德的转化、煽情手法的运用以及不同文类、风格的杂交。正是这些使它区别于文革期间的官方文化。政治与经济的双轨制、审查机制与市场机制的同时并存 ,是导致 90年代官方文化这一新趋势的根本原因。
Taking the model opera and the main melody film as examples, the article makes a comparative analysis of the official culture during the Cultural Revolution and the official culture after the reform and opening up (especially the official culture of the 1990s). The article uses the position and method of social theory and cultural studies to point out that the theme melody, as the representative of the official culture in the 1990s, appears the trend of interaction with the mass-citizen culture, compromise and mutual penetration and the resulting five Characteristics: the positive character of the common people, the theme of high-key low-key treatment, from special to universal moral transformation, the use of sensational techniques and different genres, style of hybrid. It is these official cultures that distinguish it from the Cultural Revolution. The dual system of politics and economy, the coexistence of censorship and market mechanisms are the root causes of the new trend of official culture in the 1990s.