吴海榕的粤剧《胡贵妃》将跨界思维深入到粤剧创作的历史深处和内部机制,看似出轨却不失法度,味道生辣却品性内敛,难怪得到新老戏迷的津津乐道。一、坚持粤剧唱腔音乐的第一性衡量粤剧编剧的重要标准是倚曲填词的功夫。曲牌体唱腔性格鲜明,便于塑造舞台形象,极尽铺陈之能事,最为老戏迷所看重,保留了粤剧曲牌,就等于保存了粤味。在这点 Wu Horyong’s Cantonese opera “Hu Guifei” will cross-border thinking deep into the depth of history and internal mechanism of Cantonese opera creation, seemingly derailed without losing the law, taste spicy but introverted, no wonder get the talk of new and old fans. First, insist on the first measure of Cantonese opera singing music The important criterion of Cantonese opera screenwriters is the skill of reciting lyrics. Tunes body singing distinctive character, easy to shape the stage image, make the best use of the story, the most old fans value, retain the Cantonese opera tunes, is equivalent to the preservation of the Cantonese. At this point