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上个世纪90年代,现代画廊、文物拍卖公司、艺术博览会、《拍卖法》等新词汇相继为人们熟知。进入21世纪,在市场的推动下,国家相关的经营制度和法律法规开始逐步制定。近年来,《文物保护法》《艺术品经营管理办法》《关于进一步支持文化事业发展的若干政策》等法律法规、政策文件也相继出台。这些法规政策出台在一定程度上推动了中国艺术品市场的发展,民间收藏也日益兴盛,大批民营企业也开始进军艺术品市场。目前,中国艺术品市场基本形成了以北京为辐射点,沪、杭、鲁、粤为支点的全国性格局。在多点开花的市场繁荣面前,人们也发现,艺术品市场的管理及规范政策已经远远滞后于快速发展的市场,甚至有专家认为艺术品市场混乱的根源在于管理松散,是发展的瓶颈。
90s of last century, modern galleries, cultural relics auction companies, art fairs, “Auction Law” and other new words have been well known. Enter the 21st century, driven by the market, the state-related operating systems and laws and regulations began to develop. In recent years, “Laws and regulations on cultural relics protection”, “Measures for the Administration of Works of Art” and “Several Policies on Further Supporting the Development of Culture” have also been promulgated. These regulations and policies promulgated to some extent, promote the development of Chinese art market, folk collection is also increasingly prosperous, a large number of private enterprises have begun to enter the art market. At present, the Chinese art market has basically formed a national pattern with Beijing as the radiation point, Shanghai, Hangzhou, Shandong and Guangdong as its fulcrum. In the flourishing market, people also find that the art market management and regulatory policies have lagged far behind the fast-growing market. Some experts even think that the root cause of the art market turmoil is loose management and is the bottleneck for development.