论文部分内容阅读
生态美学得以存在的合法性在于其研究对象——与生态相关的审美生活,不仅是存在的,而且是完整的,这是生态美学的首要问题;它体现为审美主体在生态环境中的具体生活体验,在其基本的构成上包括审美主体、审美客体及其时间性三个要素,具体而言,是审美主体的体验奠基于生态环境诸物的质料之上,在时间性上的整体特征是审美主体“始终”指向生态环境;具体而言,这种时间性又有两种基本的可能性,其一是描述生态审美生活的内时间意识的静态构成,其二是从“意义”与“价值”角度,阐述此内时间意识得以形成的动力及其机制,并与艺术美学、设计美学进行比较。
The legitimacy to which ecological aesthetics exists lies in the fact that the object of its study, the aesthetic life associated with ecology, is not only existing but also complete, which is the primary issue of ecological aesthetics. It is embodied in the concrete life of the aesthetic subject in the ecological environment Experiencing includes the three elements of aesthetic subject, aesthetic object and temporality in its basic composition. Specifically, the experience of aesthetic subject is based on the material of ecological environment. The overall characteristic of temporality is Specifically speaking, there are two basic possibilities for this timeliness. One is the static composition of the inner time awareness that describes the ecological aesthetic life, and the second is the meaning from the meaning of “ ”And “ value ”, elaborates the motivation and mechanism of the formation of time consciousness, and compares it with art aesthetics and design aesthetics.