明末清初大画家陈洪绶不止一次 画陶渊明像,以寄托自己的向往之 情。如《陶渊明故事图》卷(美国檀 香山美术学院藏)以连环画的形式表 现陶渊明辞官归隐的故事,就是具有 代表性的作品。在陈洪绶所绘陶渊明 的画像中,《博古叶子》中的“空汤 瓶”是很有独创性的一幅。 今存陶渊明画像,如元钱选绘《柴 桑翁像》卷、何澄绘《归庄图》卷, 明初王仲玉绘《靖节先生像》轴,其 中的陶渊明形象大都是同一类型。关 于这一点,元黄公望已经注意到了, 他在《张叔厚写渊明小像》中说: “千古渊明避俗翁,后人貌得将无同？ 杖藜醉态浑如此,困来那得北窗风。” 翁万戈先生在其《陈洪绶·文字编》中 概括说:“那定型是一位面容丰满,眉 Chen Hongshu, a painter of the late Ming and early Qing dynasties, painted Tao Yuanming more than once, in order to pin his own longing for affection. Such as ”Tao Yuanming story“ volume (Honolulu Academy of Fine Arts, the United States possession) in the form of a comic book Tao Yuanming resign as a story, is a representative work. In the portrayal of Tao Yuanming painted by Chen Hongshou, ”empty soup bottle“ in ”Bogut leaves“ is a very original one. Today, there are paintings of Tao Yuanming's portrait, such as Yuan dynasty's ”Chai Sang Weng Xiang“ volume, Ho Cheng's ”Cui Zhuang Tu“ volume, and Wang Zhongyu's painting of ”Mr. Jing Zong Xiang“ at the beginning of Ming Dynasty, most of which are of the same type. On this point, Yuan Huang Gongwang has noticed that he wrote in ”Zhang Yuanhou's Written Yuan Ming Minority Image“ and said: ”The eternal Warring States, the posterity will be the same. North wind. “Mr. Weng Wange in its” Chen Hongshun text compiled “summed up: ” That stereotypes is a full face, eyebrow