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《华尔街之狼》无疑是马丁·斯科塞斯职业生涯中最疯狂的电影,性、毒品和淫乱狂欢肆无忌惮地配合着金融动荡的主旋律,交织成长达三小时的银幕狂欢。该片具有令其先前任何犯罪电影相形见绌的不羁力量。面对这样一部“史无前例”的斯科塞斯电影,诸多媒体和影评人罕见地发出了一片口诛笔伐。也们给出的理由不外乎“贪婪”、“堕落”、“浪费时间”、“道德败坏”这些戴着道德高帽的字眼。诚然,斯科塞斯保留了大量赤裸裸的淫秽镜头—飞机上的激情纵欲,SM等等。这场性爱盛宴甚至让人联想起了费里尼的《爱情神话》。然而,是否仅仅由于这一点,我们就可以断言《华尔街之狼》的创意远不及它所奉献的壮观场面?又或者可以批评老马丁轻率地放弃了故事的深度?
“The Wall Street Wolf” is undoubtedly Martin Scorsese’s most crazy movie career, sex, drugs and promiscuous mercilessly with the main theme of financial turmoil, intertwined for up to three hours of screen carnival. The film has uninhibited powers that dwarfed any of its previous criminal films. In the face of such an “unprecedented” Scorsese movie, many media and film critics sent a vocal opposition. The reasons given are nothing more than “greedy”, “fallen”, “wasting time”, “moral corruption” and the words of moral hats. Admittedly, Scorsese retained a large number of naked obscene lenses - the passion of passion on the plane, SM and so on. Feast of this sex even reminiscent Fellini’s “love myth.” However, is it only because of this that we can assert that the Wall Street wolf is far less creative than the spectacle it has dedication to, or that it can criticize old Martin for giving up the depth of the story?