《聊斋志异·橘树》中的刘女是父亲的附庸 ,她的美好之情在父权面前只能走向消隐 ;刘女从父权置换到夫权之下 ,其心中之情同样无力找到释放的窗口 ,处于被动和屈从的状态。但“情”作为边缘 ,在中国文化发展的每阶段都会留下自己的印痕 ,人性呼唤着“理” ,也呼唤着“情”。 Liu Hsiao in Strange Tales of Strange Tales is the father’s vassal, and her beauty can only disappear before her patriarchal power. Under the patriarchal ancestral power, her bosom can not find her Release of the window, in a passive and submissive state. However, “love” as the edge, in each stage of Chinese cultural development will leave their own imprint, human calling for “reason”, but also call “love.”