西方的“女性诗歌”随着女权运动的开展而出现得比较早,中国则是受到西方的影响和启发于19世纪80年代中期出现真正意义上的“女性诗歌”的。但是,中国的女性诗人在接受西方诗歌的同时也进行了思考和发展,使得中国的“女性诗歌”更为成熟、冷静。本文试以美国自白派诗人西尔维娅·普拉斯和中国“女性诗歌”的领军人翟永明为例,从“女性诗歌”的题材、女性意识和女性创作几个方面将中西“女性诗歌”进行比较。 The “Female Poetry” in the West came earlier with the launch of the feminist movement. China was affected and inspired by the West in the true sense of “female poetry” in the mid-1880s. However, Chinese female poets also think and develop while accepting western poetry, making China’s “female poetry” more mature and calm. This paper attempts to take the example of Sylvia Plath, a confessional poet of the United States, and Zhai Yongming, a leader of the Chinese Woman Poetry, from the aspects of themes such as Female Poetry, feminine consciousness and women’s creation Chinese and Western “female poetry ” for comparison.