对于口头传统来说,文本是表演的产物。口头表演中,艺人调动和运用自己业已积累的传统元素,将新的曲目“装入”到已有的框架中,完成新曲目的演唱。于是,思维和行为在表演中融合为一体,通过表演生成为文本。这样,表演前的思维与表演后的文本,由表演所联结,形成“表演前——表演——表演后”的过程结构。表演是在艺人与受众共同建立的语境中进行,同时存在于一个相互关联的事件网络之中。语境和事件为表演和文本赋予了意义。 For the oral tradition, text is the product of performance. In an oral performance, the artist mobilizes and uses the traditional elements that he has accumulated to “load” the new track into the existing frame to complete the singing of the new track. As a result, thinking and acting are integrated in the performance and generated as text through acting. In this way, the thinking before the performance and the text after the performance are linked by the performance to form the process structure of “performance before performance - after performance”. Performing is performed in the context of artists and their audiences, as well as in an interconnected network of events. Contexts and events give meaning to performances and texts.