民族化,是一切文学艺术的题中应有之义,也是一切文学艺术的生命力之所在,它关系到一部文学艺术作品的成败得失。因此,毛泽东同志指出:“艺术上‘全盘西化’被接受的可能性很少,还是以中国艺术为基础,吸收一些外国的东西进行自己的创造为好。”(《同音乐工作者的谈话》,《人民日报》1979年9月9日)鲁迅先生也指出:“陶元庆君绘画的展览,我在北京所见的是第一回。记得那时曾经说过这样意思的话:他以新的形,尤其是新 Nationalization is the proper meaning of all literary and artistic works and also the vitality of all literary and artistic works. It relates to the success or failure of a literary and artistic work. Therefore, Comrade Mao Zedong pointed out: “Art is less likely to be accepted as ’Westernization,’ or based on Chinese art, it is better to absorb something foreign for its own sake.” (“Conversations with Musical Workers” , People’s Daily, September 9, 1979) Mr. Lu Xun also pointed out: "The first exhibition that I saw in Beijing during the exhibition of Tao Yuanqing’s paintings was a reminder of what I had said at that time: Especially new