摩尔.弗兰德斯是英国小说史上一位重要的女性形象。本文从后殖民视角进行分析,运用葛兰西“文化领导权”理论,通过资产阶级领导权在摩尔身上的实现方式与如何实现,指出无论是作为社会最底层的市民摩尔,还是历经坎坷、晚年跻身于上流社会,最终成为统治阶层一员的她,都无法摆脱无处不在的资产阶级领导权的控制。同时指出,小说的倒叙结构——老年的摩尔以忏悔方式叙述故事的形式本身就是资产阶级领导权的实现方式。 Mol. Flanders is an important female image in the history of British novels. This article analyzes from the perspective of post-colonialism, using Gramsci “cultural leadership ” theory, through the bourgeois leadership on Moore body and how to achieve, that both as the bottom of the community as the public Moore, or after ups and downs In her later years, she became a member of the upper class and finally became a member of the ruling class, unable to escape the control of the ubiquitous leadership of the bourgeoisie. At the same time, it points out that the flashback structure of the novel - the form in which the elder Moore confess the story by itself is the way to realize the leadership of the bourgeoisie.