对于中国传统女性问题的研究从未降温,长久以来中国传统女性和封建反封建、女性解放、人伦关系这一系列专有名词紧密联系,却忽略了斑驳的历史背后,那些血肉丰满的个体所呈现出的温暖的情怀与爱,这其实一种人性的温度。在封建传统观念的影响下,女性群体其实不断进行着自我的调整和适应,在这一过程里,充斥着自我的认同与反抗。冯骥才的《三寸金莲》与余秋雨的《牌坊》中,呈现出的是两种不同的女性,却拥有共同的命运悲剧,她们在反抗、认同、妥协的过程中,其实从没有丢失过人性的温度。 The research on the traditional Chinese women has never cooled down. For a long time, the traditional Chinese women have been closely linked with a series of proper nouns such as feudal anti-feudalism, liberation of women, and human relations, while ignoring the mottled history behind those flesh-filled individuals Out of the warm feelings and love, this is actually a human temperature. Under the influence of feudal traditional concepts, the female groups in fact constantly adjust themselves and adapt themselves. In this process, they are full of self-identity and resistance. Feng Jicai’s The Three Kingdresses Golden Lotus and Yu’s “Arch” show two different kinds of women but share a common tragedy of fate. In the process of resistance, identification and compromise, they have never lost their humanity temperature.