论文部分内容阅读
继《红樱桃》之后,《红色恋人》再次“红”遍中华大地。这两部同样取材于第一代中国共产党人及其子女斗争生活的影片,形成了导演叶大鹰的“红色”系列。 迄今为止,叶大鹰拍的影片不多,但却是一位影圈内公认的富有锐气的青年导演。要深刻理解他的影片,尤其是二《红》,恐怕还得从头说起。 叶大鹰的童年和少年是在十年动乱中度过的。那时没有功课的压力,父母挨斗自顾不暇,他处在一种放任自流的状态。所幸没有染上什么恶习,却发现了古往今来一切大师都极力推崇的读书的巨大魅力。每天上学去他的书包里肯定放着一本小说,中国的或者外国的。老师在讲台上讲课,他就在课桌下看书。或者神驰八荒地把自己想象成是保尔·柯察金、卢嘉川;按
Following the “red cherry”, “Red Lovers” once again “red” all over the earth. Both films, also based on the first generation of Chinese Communists and their children’s struggling lives, formed the “Red” series directed by Ye Da Ying. So far, Ye Tai-ying did not film many films, but he is a well-known and energetic young director in a movie circle. To understand his film deeply, especially the two “reds”, I am afraid I have to start from scratch. Ye Da Ying’s childhood and adolescent spent during the decade-long turmoil. At that time, without the pressure of homework, parents were too busy to fight, he was in a state of laissez-faire. Fortunately, not infected with any bad habits, but found that all the great master praised the great charm of the ancient and modern times. Go to school every day to go to his school bag sure to put a novel, Chinese or foreign. The teacher lectured on the podium, he read a book under the desk. Or spirited Badlands think of himself as Paul Kochakin, Lu Jiachuan; press