杜甫生命历程的最后十一年是在流浪和漂泊中度过的,在长期漂泊中,诗人身体承受着漂泊不定带给他的疾病与衰老;心灵承受着远离故土、亲人离散、国事衰微与民生疾苦带给他的强烈伤痛。在漂泊中,杜甫写了一千多首诗,这些诗作因诗人境遇的惨淡而大多呈现出悲剧性,弥漫着悲剧色彩。悲剧色彩的美学本质在于体现人的本质力量的实践主体暂时被否定,而最终被肯定。本文从杜诗的“泪水”意象出发,探讨诗人漂泊时期诗歌中的悲剧意识这种意识既忧国又忧民,既欲振家室又欲振国,不幸的是 The last eleven years of Du Fu’s life course are spent in wandering and wandering. During the long-term adrift, the poet’s body suffers from diseases and senescences that are drifting on him. His soul is far away from his native land, his relatives are dispersed, and the declining state and people’s livelihood The pain brought him intense pain. In the adrift, Du Fu wrote more than a thousand poems, most of which were tragic because of the poet’s dismal situation, filled with tragedy. The aesthetic essence of tragedy lies in the fact that the main body of practice that reflects the essence of human beings is temporarily denied and finally affirmed. This essay starts with the image of “Tears” of Du Fu and explores the awareness of the tragedy in the poetry of the poet during the wandering period. It is a matter of both concern and concern for the country. It is unfortunate