最近连续拜读一位中年朋友漫谈京戏的文章。就我所知,这位朋友曾在某京剧团工作,道听途说,零敲碎打地获悉一些梨园掌故;为了想多了解一些京剧方面的轶闻琐事和旧社会情况,他曾走访了不少人(不佞也曾接受过他的“采访”),然后就其所闻,七拼八凑写成文章。久而久之,俨然也成“品戏”名家了。过去他写的文章,出版的集子姑且不谈,即以我最近读到的三篇文章而言,几乎无一篇没有错误,而这些错误显然是传闻,即所谓“耳食之音”。我以为专靠听来的错误材料就写文章发议论,是 Recently read a middle-aged friend talk about Beijing opera articles. As far as I know, this friend once worked in a Peking Opera troupe, hearsay, piecemeally learned of some pear orchard; in order to know more about some peking opera anecdotes and old society, he visited a lot of people Had accepted his “interview”), and then heard the news, patchwork wrote articles. Over time, seems to have become a “play” famous. In the past, the articles he wrote and the publications he wrote went without saying that in the last three articles I have read, there is almost no error. Obviously, these mistakes are rumors, the so-called “sound of ear food.” I thought that writing materials should be written on the erroneous materials that I hear, yes