早在文艺复兴时期,西方绘画中就出现了许多透视精准的建筑、风景绘画,画家为了画出逼真的效果,以达到纪实的目的。19世纪中叶法国人达盖尔发明了摄影术,许多画家开始利用摄影图片创作。摄影术的发明在写实性、快捷性方面,对绘画的冲击是巨大的,画家感到绘画这个行业受到前所未有的威胁,但实际上,画家却一直在利用摄影图片进行创作。摄影不但没有终结油画,反而成为画家创作的好帮手,同时扩展了油画创作的宽度。但在19世纪,摄影的出现确实替代了绘画 As early as the Renaissance, there appeared a lot of precise and accurate architectural and landscape paintings in the Western paintings. The painter tried to draw realistic results so as to achieve the objective of documentary. In the mid-19th century, French daguerre invented photography and many painters began to make use of photographic images. The invention of photography has a tremendous impact on the painting in terms of its realisticness and quickness. The artist feels the painting is an unprecedented threat to the industry. In fact, the painter has been using photographic images for his creation. Photography not only failed to end oil painting, but instead became a good helper for painter creation, while expanding the width of oil painting creation. But in the 19th century, the advent of photography did replace painting