尽管施光南已经逝世二十五年了,但他的作品却依然经久不衰。本文以现象学“回到事物本身”为方法,对施光南的音乐作品进行诠释学的反思。笔者试图探讨两个问题,即音乐建构的原点与原野,前者是作为建构的出发点被理解的,后者是作为建构的处所被理解的。在反思中,音乐作品是被还原为音乐语言被理解的。这种还原,并不意味着给出了某种普遍的真理;相反,还原是获得新的理解的途径,即完成视域融合的途径。 Although Shi Guangnan has died 25 years, but his work is still enduring. In this paper, phenomenology “back to the thing itself ” as a method of Shi Guangnan’s musical works hermeneutics reflection. The author attempts to explore two issues, that is, the origin and field of musical construction, the former being understood as the starting point of construction, which is understood as a place for construction. In reflection, the musical work is understood to be restored to the musical language. This reduction does not mean giving a universal truth; rather, reduction is a way of gaining a new understanding, that is, of completing the fusion of horizons.