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中国文学形式尤其是传统文学形式与西方具有明显的异质性,这是异质于西方的中国文化的结晶。与西方的异质性是中国文学形式论的学理基点,中国文学形式论的对象异质性突出地体现为文学形式的非语言性或超语言性,诗文画乐的多元综合性及中国传统文化情趣对文学形式的审美模塑,审美模塑又包括以意取象、显意之境、含蓄蕴藉、格律声调、形式的批评形式五个方面。中国文学形式论的理论运作要从归入又走出传统,走出又转化西方形式论,超越又居守形式三个要点着力。
Chinese literary forms, especially traditional forms of literature, have obvious heterogeneity with the West, which is the result of the heterogeneity of Chinese culture in the West. Heterogeneity with the West is the theoretical base of the Chinese literary form theory. The heterogeneity of the object of Chinese literary formalism is prominently manifested in the non-verbal or super-linguistic forms of literature. The pluralistic synthesis of poetry, painting and music and the Chinese tradition Cultural aesthetics of the literary form of aesthetic molding, aesthetic molding and also include the meaning of meaning, the meaning of the scene, implied meaning, style of tone, the form of criticism of the five aspects. The theoretical operation of Chinese literary formalism must focus on the following three points: going from one tradition to another, going out and transforming Western formalism, transcending and keeping one.