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就书法创作,笔者提出了“新历史主义”的概念,它包括空间与时间两个大的方面。空间上有三个层次,是指:基础层次——重新回到手写状态;中间层次——写好字;超越层次——书法艺术创作,尤其强调功能语境的创作意义。时间上是前两个书法创作模式占主导的阶段的延伸与发展,在新历史主义书法创作之前有两个阶段:第一阶段,20世纪80年代以前的传统书法创作,注重书写内容且有广泛的社会影响力;第二阶段,20世纪80年代至新世纪前10年,追求书法艺术的独立性,将书法更多地向美术看齐,结果却使书法失去社会影响,日
In terms of calligraphy creation, the author proposes the concept of “New Historicism”, which includes two major aspects of space and time. There are three levels in space, which means: basic level - return to handwriting status; intermediate level - write good character; go beyond level - creation of calligraphic art with particular emphasis on the creative significance of functional context. Time is the extension and development of the first two calligraphy creation modes. Before the creation of new historicism calligraphy, there are two stages: the first stage, the traditional calligraphy creation before the 1980s, Social influence; the second phase, from the 1980s to the first 10 years of the new century, the pursuit of the independence of calligraphic art, more calligraphy to fine arts, the result has made calligraphy lose social impact, Japan