路是观众无知觉下参与完成的雕塑,具象雕塑是引诱观众完成雕塑的靶子。没有哪个是更重要的。——付晓东付晓东(以下简称“付”):2000-2004年你做农工民系列以来,用泥做材料,到今天10年没再用。泥是个比较传统的雕塑材料,但你保持着对泥塑的手头功夫和理解力。从7年前庙会的作品开始,你对民间的渣派美学保持了长期的关注。从5年前睡庙开始,你又注入了传统美学的巨大兴趣。我邀请你做泥塑作品项目,希望你能够有一个项目,把你在不同时间段里感兴趣的三 The road is a sculptor who participates in the unconsciousness of the audience. The concrete sculptures are the target to lure the audience to complete the sculptures. No one is more important. - Fu Xiaodong Fu Xiaodong (hereinafter referred to as “Fu ”): Since 2000-2004, when you became a peasant worker series, you use mud as material and have not reused it for 10 years. Mud is a more traditional sculpture material, but you maintain the grip and understanding of clay hand. Starting from the works of the temple fairs seven years ago, you have long kept your eyes on private Slaughtere aesthetics. Since the sleeping temple started five years ago, you have injected a great interest in traditional aesthetics. I invite you to do the clay sculpture project, I hope you can have a project, you are interested in different time periods of the three