在上个世纪90年代戏剧出现过一次生存危机,那时的戏剧人曾经发出这样的声音:“今天我们为什么需要戏剧?”在本世纪初,戏剧的生机初现的时候,关于未来戏剧的创作走向也有戏剧权威争论“戏剧的文化责任”与“如果谈恋爱的青年都不愿走进剧场,戏剧难谈前途与发展”。其实际焦点是“我们需要什么样的戏剧”或者“戏剧需要什么样。”说归说,做归做。在大小环境都在产生巨变的当下,也在各色人等的努力下,京沪两地的话剧创作在十年内有了类似 When there was a crisis of survival in the 90’s drama of the last century, the theater people of that time once made the following remarks: “Why do we need drama today?” At the turn of the century when the dramatic life began, The creative trend also has the authoritative debate of drama “cultural responsibility of drama ” and “if the fall in love is not willing to go to the theater of youth, drama hard to talk about the future and development ”. The actual focus is “What kind of drama do we need?” Or “What do we need for drama?” In the current situation of great change in both the environment and the environment, with the efforts of people of all colors, the creation of drama in Beijing and Shanghai has been similar within ten years