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少数民族电影作为我国电影业的重要组成部分,符合我国多民族组成的实际情况;回顾新中国少数民族电影的发展历程,发现其经历了一个由经典化向大众化的转变,由关注社会效益向关注社会效益和经济效益相统一方向转型;建国初期关注新中国的构建,以活泼轻松的大众化形式,内含着政治、思想的教化。改革开放后,随着社会的多元化和市场化的形成,少数民族电影也要转型,尤其是文化产业化政策的出台,从机制上为少数民族电影的发展提供了内在动力和广阔的舞台。
As an important part of the film industry in our country, ethnic minority movies are in line with the actual conditions of the multi-ethnic groups in our country. Looking back the development of the minority nationalities movies in New China, we find that they have undergone a transition from a classic to a popular one with a focus on social benefits Social and economic benefits in the direction of a unified transformation; the early establishment of New China paid attention to the construction of a lively and relaxed form of popularization, contains the political and ideological education. After the reform and opening up, with the diversification of society and the formation of marketization, ethnic minority films have also to be transformed. In particular, the promulgation of the policy on cultural industrialization has provided an internal impetus and a broad stage for the development of ethnic minority films from the mechanism.