自从有了人类,就有了人和天地的交道;和天地打交道,就会知天、知地,亦知人。天地者,易之体,象之本也;人者,本于心者也。易无思,但人有思;易无为,而人欲有为;人有思、有为,也就有了表现的欲望。思之至深、至广以至于通天下者,其表现则具有征服天下人心的力量。扬雄《太玄·玄莹》讲:“夫作者贵有循而体自然也。其所循也大,则其体也壮;其所循也小,则其体也瘠;其所循也真,则其体也浑;其所循也曲,则其体也散……故质干在乎自然,华藻在乎事也,其可损益欤!”综观中国艺术史,从三皇五帝到夏商周,从两汉魏晋到唐宋元明清乃至现代,中国艺术精神基本上都不脱“物(自然、造化) Since human beings, there have been human beings dealing with heaven and earth. When dealing with heaven and earth, they will know God, know God and know people. The world, easy body, like this also; people, the heart also. Easy without thinking, but people have thinking; easy to do nothing, but people want to have; people think, promising, there is the desire to express. Thinking of the most profound, so broad as the world, its performance is to conquer the power of the world. Yang Xiong ”Tai Xuan Xuan Ying“ say: ”The husband is expensive and the body is also natural. Its also followed by large, then its body is also strong; its following is small, then its body is barren; Also true, then its body is muddy; its following song, then the body is scattered ... ... the essence of dry care natural, Hua algae matter also, its loss can be profit! “Overview of Chinese art history, from the Three Emperors and Five Emperors to summer During the Shang and Zhou dynasties, from the Han and Wei Dynasties to the Tang, Song, Yuan, Ming, Qing dynasties and even the modern times, the spirit of Chinese art basically did not take off. ”Things (Nature, Nature)