现代散文(狭义的散文)教学中常讲“文眼”。可是如何理解“文眼”呢?至今仍然众说纷纭。清代的文艺理论家刘熙载在他的著作《艺概》中说:“余谓眼乃神光所聚,故有通体之眼,有数句之眼,前前后后无不待眼光照映。若舍章法而专求字句,纵争奇竞巧,岂能开阖变化,一动万随耶?” In modern prose (narrow sense prose) teaching, it is often referred to as “eye”. However, how to understand “eyes”? There are still many opinions. Liu Xia, a Qing dynasty literary theorist, said in his book Art General: “Is that the eyes are gathered together by the eyes of the gods, and therefore there are eyes of the whole body and eyes of several words. “How can we make use of the words and phrases in the book, and we can only make changes in the tactics when we discuss the odds and odds?”