最近看了北京京剧院新组成的一团及以武生张四全为首所组建的“花果山京剧团”上演的节目,很有感触。看得出来,为了繁荣和振兴京剧,从领导到剧团演员,上下努力,都不甘心这块民族艺术的瑰宝失去往日光彩的。八十年代电视、录像进入千家万户,酒吧舞厅星罗棋布。人们还看不看“慢节奏”的京剧呢? 著名京剧表演艺术家袁世海曾经对我说:“我看现在不怕观众不看京剧,就怕没有高质量的戏演出!”袁老先生的话,我觉到颇有道理。回顾京剧发展史,尤其是解放以来的四十年,在党的“百花齐放,推陈出新”的文艺方针指引下,党和政府对京剧是花了大力气的。大家都不会忘记,从五十年代初到六十年代初,这是老中青京剧演员在舞台上大放奇光异彩的黄金岁月。那时,你分不出是中国京剧院还是北京京剧 Recently I watched a group newly formed by Beijing Peking Opera Theater and a program staged by “Huaguoshan Peking Opera Troupe” led by Wu Shan Zhang Siquan. It can be seen that in order to prosper and rejuvenate Peking Opera, from the leadership to the theater actors, from top to bottom, are not reconciled to the lost glory of this national art treasures. Eighties television, video into millions of households, pub ballroom dotted. People still do not look at “slow-paced” Peking Opera? Famous Peking Opera performer Yuan Shihai once said to me: “I do not think the audience is not afraid of watching Peking Opera, I am afraid there is no high-quality performance.” Mr. Yuan Lao’s words To reasonably. In retrospect of the history of the Beijing Opera, especially in the 40 years since liberation, the party and government have spent a great deal of effort on Peking Opera under the guideline of the literary policy of “letting all flowers bloom and innovation”. We all will never forget that from the early 1950s to the early 1960s, this was the golden age when the actors and actresses of the Central Plains and the Peking Opera cast their eyes on the stage. At that time, you can not tell whether China Peking Opera or Beijing opera