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在中国城雕大潮空前高涨的当代背景下,从象牙塔里走向公共空间的“时空平台——2001雕塑作品展”不仅带来了多重性的挑战意义,而且留下了不容忽视的学术资源的亟待解决的疑难问题。 本次展览集合了一批学院派雕塑家,他们试图在特定的公共空间对新型的展示环境、雕塑艺术的语言与媒体进行深入的探讨和研究。对于“时空平台——2001雕塑作品展”的多重性的挑战意义和价值取向,展览策划人范迪安、张鹏分别进行了颇为充分的阐述。范迪安先生在《城市之中的雕塑》一文中称:“城市需要大量的雕塑,无疑为雕塑家提供了良好的机遇,但雕塑如何贴近城市,成为城市文化的有机组成,特别是参与建造城市文化新的结
Under the unprecedented rise of urban sculpture in China, the “Space-time Platform - 2001 Sculpture Exhibition” that goes from the ivory tower to the public space not only brings the challenge of multiplicity, but also leaves undeniable academic resources Urgent problems to be solved. This exhibition brings together a group of academic sculptors who are trying to conduct in-depth discussions and research on the new display environment, the language and media of sculpture art in specific public spaces. For the multi-challenged significance and value orientation of “Space-time Platform - 2001 Sculpture Exhibition”, Fan Di’an and Zhang Peng, curators of the exhibition, conducted quite adequate expositions respectively. In his article “The Sculpture in the City”, Mr. Fan Dian said: "The city needs a lot of sculptures undoubtedly provide sculptors with good opportunities. However, how sculptures are close to cities becomes an organic part of urban culture, especially in the construction of urban culture New knot