泛音是声音的物理特征。随着从钢琴的前身大键琴到现代钢琴的结构发展,其泛音也极大地被丰富。同时,创作者的创作动机、演奏者们的弹奏习惯又干预和影响着泛音的构成。本文从钢琴的结构发展、作曲家对泛音的处理这两个层面,客观地论述从古至今钢琴泛音的时代特征,进而给予钢琴作品的创作者们和演奏者们更全面、更完整的对音色的理解和分析。 Harmonic sound is the physical characteristics. With the development from the piano’s predecessor harpsichord to the structure of the modern piano, its overtone is also greatly enriched. At the same time, the creative motivation of the creators and the playing habits of the players interfere with and influence the composition of overtones. In this paper, from the structural development of the piano and the composer ’s handling of the overtone, this essay objectively expounds the characteristics of the times of piano overtones from ancient to present, giving the creators and performers of piano works a more complete and complete understanding of the sound Understanding and analysis.