“写生”一词在唐代画论中未有此称谓,宋刘道醇《圣朝名画评》中始有“写生”之记载,至《图画见闻志》已将“写生”引以为突破求新之法。熟知的画猿名家易元吉,便是入深山猿穴、獐鹿之属,心传足记,以得獐猿天性野逸之姿而成丹青妙手。北宋《宣和画谱》对唐代及宋代的花鸟写生论述已趋于丰富,不乏薛稷养鹤、察鹤,进而得鹤之神妙的记述;亦有韩幹不学当世名家而以宫廷内厩骏马为吾师之好。由此而知唐代画家作画时已 The term “sketching” did not have this title in the painting theory of the Tang Dynasty. There were “sketches” in the “Saint Famous Painting Criticism” in Song Liudaooluo, and “sketching” Cited as a breakthrough in the new law. A famous painter Yi Yuan Ji, is into the deep ape, Roe deer, heart footprints, in order to have the roe ape nature Yeh Yi posture Dan from the hand. In the Northern Song Dynasty, “Xuan He Hua Pu” on the Tang Dynasty and the Song Dynasty flower sketches have become more and more rich, there is no lack of support for Crane Crane, Crane, Crane and then get the wonderful description of Crane; My teacher is good. This shows that the Tang Dynasty painter has been painting