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前言近年来在东亚各国,以现代艺术家及其作品相关为主题的书籍和展览相当兴盛。而日本的现代美术研究,19世纪90年代以来从一开始关注与欧洲美国艺术动向的关系为主要观点,到现在逐渐改变,带入东亚地区美术交流的视野,综合各国研究成果而出现的展览会有“东亚绘画的现代:油画的诞生与发展”(1999年,静冈县立美术馆)、《东亚立体主义》(2005年东京国立近代美术馆)等,以及《东洋意识:介于梦想
Preface In recent years in various East Asian countries, books and exhibitions that have the relevance of modern artists and their works flourished. The study of modern art in Japan from the beginning of the 1890s focused on the relationship with European American art trends as the main point of view, and gradually changed into the perspective of art exchange in East Asia, the exhibition based on the research results of various countries There is “Modernization of East Asian Painting: The Birth and Development of Oil Painting” (Shizuoka Prefectural Museum of Art, 1999), “East Asian Cubism” (Tokyo National Museum of Modern Art, 2005), and "Oriental Awareness: dream